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	<title>Analog Movies</title>
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		<title>Choosing a Filmstock</title>
		<link>http://www.analogmovies.com/choosing-a-filmstock.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=choosing-a-filmstock</link>
		<comments>http://www.analogmovies.com/choosing-a-filmstock.html#comments</comments>
		<pubDate>Mon, 20 Jun 2011 15:04:09 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Headline]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=173</guid>
		<description><![CDATA[To any movie maker, the choice of what filmstock to use is such an important decision. Think of it in similar terms to an artist choosing not just a colour palette, but also what brushes, canvas and painting style all at the same time. Film emulsions vary quite considerably in what results they produce, so let&#8217;s explore the reasons why this is the case.
Negative or Reversal
This decision usually tends to be impacted not only by what result you&#8217;d&#8230;]]></description>
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		<title>Finally! Super 8 processing in the UK</title>
		<link>http://www.analogmovies.com/finally-super-8-processing-in-the-uk.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=finally-super-8-processing-in-the-uk</link>
		<comments>http://www.analogmovies.com/finally-super-8-processing-in-the-uk.html#comments</comments>
		<pubDate>Sat, 22 Jan 2011 01:28:43 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=167</guid>
		<description><![CDATA[Apparently Leo has been advertising his services on ebay, and has now got his own website. Reports from filmshooting.com's forum sound really promising, so Analog Movies will be testing out his services very soon. It's nice to see that colour reversal, outdated reversal, negative and black and white can all be processed now in one place, at a lower cost than sending it to Andec in Germany.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Lightbreeze</title>
		<link>http://www.analogmovies.com/lightbreeze.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lightbreeze</link>
		<comments>http://www.analogmovies.com/lightbreeze.html#comments</comments>
		<pubDate>Sat, 11 Dec 2010 22:56:01 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=161</guid>
		<description><![CDATA[Just heard about a brand new Super 8 filmmaking site:
&#8220;A new website with lectures [all free to access] which are about working with    Super 8 film. We will be updating the site regularly with new    lectures,  hopefully covering every aspect of    Super 8 filmmaking in the digital age. We are also excited about making some    short films which will be put on the site, obviously  they will all be made on Super 8,    they will show off how cheap,&#8230;]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Why I Use 8mm&#8221; &#8211; by Sam Spreckley</title>
		<link>http://www.analogmovies.com/why-i-use-8mm-by-sam-spreckley.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=why-i-use-8mm-by-sam-spreckley</link>
		<comments>http://www.analogmovies.com/why-i-use-8mm-by-sam-spreckley.html#comments</comments>
		<pubDate>Sat, 04 Dec 2010 02:22:59 +0000</pubDate>
		<dc:creator>Sam Spreckley</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Headline]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=142</guid>
		<description><![CDATA[I started to use 8mm film about 10 years ago after becoming fascinated  with the cameras.  I had always been a keen film photographer since  inheriting my grandfathers Olympus om10 as a young teenager so most  analogue equipment was/is of great interest.  After some time  researching the equipment and sourcing the film i began to experiment  with shooting my first reels.  Fortunately at that time you could still  buy Kodachrome K40 in the photo shop so this made things much&#8230;]]></description>
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		<title>200ft Kodachrome 40 Sound Film</title>
		<link>http://www.analogmovies.com/200ft-kodachrome-40-sound-film.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=200ft-kodachrome-40-sound-film</link>
		<comments>http://www.analogmovies.com/200ft-kodachrome-40-sound-film.html#comments</comments>
		<pubDate>Sun, 03 Oct 2010 21:18:09 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Kodachrome]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=137</guid>
		<description><![CDATA["a very unique opportunity to shoot this while processing is still available. The ability to shoot Kodachrome uninterrupted for 13 minutes is fantastic, and running a processed film through a sound projector is something we should be really sad to see go."]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>UK Stores Now Stocking Super 8 Ektachrome 100D</title>
		<link>http://www.analogmovies.com/uk-stores-now-stocking-super-8-ektachrome-100d.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=uk-stores-now-stocking-super-8-ektachrome-100d</link>
		<comments>http://www.analogmovies.com/uk-stores-now-stocking-super-8-ektachrome-100d.html#comments</comments>
		<pubDate>Fri, 17 Sep 2010 20:31:18 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[100D]]></category>
		<category><![CDATA[ektachrome]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[Super 8]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=130</guid>
		<description><![CDATA[Great news for the enthusiast, and also to note 7dayshop have some colour negative Super 8 film (200T) in at a discounted price. Which is unexpected but great news!]]></description>
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		</item>
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		<title>Reducing The Cost of Film</title>
		<link>http://www.analogmovies.com/reducing-the-cost-of-film.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=reducing-the-cost-of-film</link>
		<comments>http://www.analogmovies.com/reducing-the-cost-of-film.html#comments</comments>
		<pubDate>Sat, 03 Jul 2010 22:31:33 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Headline]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=97</guid>
		<description><![CDATA[With the price of silver strong as ever, and the global recession shrinking our filming budgets, here are 8 helpful pointers that might help you shoot more film this year!]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Making a War Movie? Here&#8217;s an easy DIY Smoke Bomb How-to</title>
		<link>http://www.analogmovies.com/making-a-war-movie-heres-an-easy-diy-smoke-bomb-how-to.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=making-a-war-movie-heres-an-easy-diy-smoke-bomb-how-to</link>
		<comments>http://www.analogmovies.com/making-a-war-movie-heres-an-easy-diy-smoke-bomb-how-to.html#comments</comments>
		<pubDate>Fri, 11 Jun 2010 01:46:35 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Tips]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[smoke]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=93</guid>
		<description><![CDATA[
A handy video tutorial here for anyone needing a quick, heavy volume smoke effect. You could use the can as a pretend smoke bomb and actually throw it onto the set, or just use the smoke it produces as part of an effect in your movie.
]]></description>
		<wfw:commentRss>http://www.analogmovies.com/making-a-war-movie-heres-an-easy-diy-smoke-bomb-how-to.html/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Shooting In Winter? 5 Essentials&#8230;</title>
		<link>http://www.analogmovies.com/shooting-in-winter-5-essentials.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shooting-in-winter-5-essentials</link>
		<comments>http://www.analogmovies.com/shooting-in-winter-5-essentials.html#comments</comments>
		<pubDate>Sat, 17 Apr 2010 01:21:05 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Featured]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=87</guid>
		<description><![CDATA[Some of my favourite footage was taken in winter - the bitter frost and falling snow can make shots really atmospheric. Before filming in winter though, it helps to be prepared for when disaster strikes in the form of a dead battery or a jammed film magazine/cartridge. This article will help you make sure you're fully equipped and getting the right exposure in your movies.]]></description>
		<wfw:commentRss>http://www.analogmovies.com/shooting-in-winter-5-essentials.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hallucinating Dissolve</title>
		<link>http://www.analogmovies.com/hallucinating-dissolve.html?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hallucinating-dissolve</link>
		<comments>http://www.analogmovies.com/hallucinating-dissolve.html#comments</comments>
		<pubDate>Fri, 16 Apr 2010 22:40:16 +0000</pubDate>
		<dc:creator>Richard Baines</dc:creator>
				<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://www.analogmovies.com/?p=85</guid>
		<description><![CDATA[I do most of my editing the lazy way &#8211; in the camera, and I&#8217;m always trying to think of smart ways to dissolve or fade from one scene to the next. Here&#8217;s one I&#8217;m proud of. Use acetate (heavy clear or frosted plastic), which you can get from your local art supplies store. I usually buy it in pieces 25 inches x 50 inches, although it also comes in rolls of 12 feet and 50 feet. I sandpaper the&#8230;]]></description>
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		<slash:comments>1</slash:comments>
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